https://www.imdb.com/title/tt28457153/

汐见爱一直都讨厌被拥有煌罗极强的哥哥保护，在机缘巧合之下，他知道了自己也拥有这种力量，并且进入了在21世纪创立的自然力量研修学院，谁知在他入读的那一天，有位被称为「制止恐怖大王」的新老师出现，竟然是……集爱情、情欲、魔法和武斗於一身的精彩作品──煌罗万象──终於面世了！描写的煌罗力量别开生面，女角胸前伟大，充满香艳镜头，娱乐性爆满，万勿错过！ 　　当时是在网络上发行，每多少天（7天？1个月？）放出一集。我找遍了所有地方都没发现IMDB编号，怀疑其根本没有IMDB编号，如果有谁找到了再改吧！

汐见爱一直都讨厌被拥有煌罗极强的哥哥保护，在机缘巧合之下，他知道了自己也拥有这种力量，并且进入了在21世纪创立的自然力量研修学院，谁知在他入读的那一天，有位被称为「制止恐怖大王」的新老师出现，竟然是……集爱情、情欲、魔法和武斗於一身的精彩作品──煌罗万象──终於面世了！描写的煌罗力量别开生面，女角胸前伟大，充满香艳镜头，娱乐性爆满，万勿错过！ 　　当时是在网络上发行，每多少天（7天？1个月？）放出一集。我找遍了所有地方都没发现IMDB编号，怀疑其根本没有IMDB编号，如果有谁找到了再改吧！

「神羅万象チョコ」シリーズの10周年を記念したスペシャルアニメ『神羅万象～天地神明の章～』

「神羅万象チョコ」シリーズの10周年を記念したスペシャルアニメ『神羅万象～天地神明の章～』

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it's like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living! (It's impossible to either look or film into the sun.) One can well imagine that the people creating such a picture, the gravity of which is supposed to hold all that, perform their task with as much care, seriousness, and responsibility as if they were splitting uranium. 　　This film, An Image, is part of a series I've been working on since 1979. The television station that commissioned it assumes in these cases that I'm making a film that is critical of its subject matter, and the owner or manager of the thing that's being filmed assumes that my film is an advertisement for them. I try to do neither. Nor do I want to do something in between, but beyond both." 　　--Harun Farocki, Zelluloid, no. 27, Fall 1988

飞碟说是一个原创视频自媒体，选取社会热点为话题，进行视频化的科普解说。因为视频诙谐幽默而一路走红，成为公认的网络视频百科。

飞碟说是一个原创视频自媒体，选取社会热点为话题，进行视频化的科普解说。因为视频诙谐幽默而一路走红，成为公认的网络视频百科。

A man in a room, in a film – it is the becoming of something and simultaneously becoming in itself. Nothing is as solid as we believe … The film explores philosophical discussions on time and change in regards to our perception of time, bodies and objects, and our inability to comprehend the full motion of things.

A man in a room, in a film – it is the becoming of something and simultaneously becoming in itself. Nothing is as solid as we believe … The film explores philosophical discussions on time and change in regards to our perception of time, bodies and objects, and our inability to comprehend the full motion of things.